{"id":735,"date":"2019-01-12T03:39:28","date_gmt":"2019-01-12T03:39:28","guid":{"rendered":"http:\/\/deadstudies.org\/?page_id=735"},"modified":"2021-02-05T21:07:40","modified_gmt":"2021-02-05T21:07:40","slug":"unbroken-chain-2007","status":"publish","type":"page","link":"https:\/\/deadstudies.org\/?page_id=735","title":{"rendered":"Unbroken Chain: The First Grateful Dead Conference (2007)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"375\" src=\"https:\/\/deadstudies.org\/wp-content\/uploads\/2019\/01\/UnbrokenChainPoster.jpg\" alt=\"\" class=\"wp-image-800\" srcset=\"https:\/\/deadstudies.org\/wp-content\/uploads\/2019\/01\/UnbrokenChainPoster.jpg 250w, https:\/\/deadstudies.org\/wp-content\/uploads\/2019\/01\/UnbrokenChainPoster-200x300.jpg 200w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption><em>Poster by<\/em> <a href=\"http:\/\/www.mikedubois.net\/\">Mike Dubois<\/a><\/figcaption><\/figure>\n\n\n<h5><em>Unbroken Chain: The Grateful Dead in Music, Culture, and Memory<\/em>. University of Massachusetts-Amherst, November 16\u201318, 2007.<\/h5>\n<p>Director: Michael Grabscheid. Program Co-Director: Nicholas G. Meriwether.<\/p>\n<p>Sponsored by&nbsp;the University of Massachusetts\u2013Amherst, this symposium brought together members of the Grateful Dead&#8217;s staff and family with scholars, students, and fans for the first academic conference on the Grateful Dead phenomenon.<\/p>\n<p><\/p>\n<h4>Selected Papers and Presentations<\/h4>\n<p>Rebecca Adams, \u201cStrangers Stopping Strangers: The Deadhead Community.\u201d<\/p>\n<p>Barry Barnes, \u201cThe Grateful Dead: An Improvisational Business Model.\u201d<\/p>\n<p>Bob Bralove, \u201cLight the Song with Sense and Color.\u201d<\/p>\n<p>Gary Burnett, \u201cDeader Than Thou, or Living Gratefully: Deadhead Interactions Online.\u201d<\/p>\n<p>James Revell Carr, \u201c\u2018Did You Hear What I Just Heard?\u2019 Self-Reflection, Audience Reception, and Magical Realism in Grateful Dead Lyrics.\u201d<\/p>\n<p>Christian Crumlish, \u201cDeadheads in Cyberspace: A Historical Survey.\u201d<\/p>\n<p>Natalie Dollar, \u201cExploring the Deadhead Speech Community: A Cultural Communication Approach.\u201d<\/p>\n<p>David Dodd, \u201cThrough a Glass Darkly: \u2018Barbed Wire Whipping Party\u2019 As A Negative Lens of Illumination.\u201d<\/p>\n<p>Robert Freeman, \u201cImprovisation as Social Interaction.\u201d<\/p>\n<p>Steve Gimbel, \u201cThe Other One and the Other: Moral Lessons from a Reluctant Teacher.\u201d<\/p>\n<p>Herb Greene, \u201cBrief Encounters with the Dead.\u201d<\/p>\n<p>Stanley Krippner, \u201cThe Grateful Dead\u2019s Entangled Minds: New Paradigms, Shamanism, and Telepathic Dreams.\u201d<\/p>\n<p>Leora Lawton, \u201cWhy are There so Many Jewish Deadheads\u2014and Why Should We Care?\u201d<\/p>\n<p>Chaone Mallory, \u201cOf All Possible Worlds: The Dead and the Construction of Collective Eco-Consciousness.\u201d<\/p>\n<p>David Malvinni, \u201cBlues, Jazz, and the Psychedelic Worldview: How the Grateful Dead Transformed Improvisatory Music.\u201d<\/p>\n<p>Nicholas G. Meriwether, \u201cThe Last Prank, the LA Acid Tests, and the Birth of the Grateful Dead.\u201d<\/p>\n<p>Shaugn O\u2019Donnell, \u201cAmerican Chaos: Charles Ives and the Grateful Dead.\u201d<\/p>\n<p>Glenn Rifkin, \u201cThe Brand Known as the Grateful Dead.\u201d<\/p>\n<p>Sandy Sohcot, \u201cThe Rex Foundation and the Philanthropy of the Grateful Dead.\u201d<\/p>\n<p>Steve Silberman, \u201cHomegrown Dharma.\u201d<\/p>\n<p>Steve Silberman, \u201cThe Dead, the Media, and the Shock of the New.\u201d<\/p>\n<p>Eric Silverman, \u201cFrom New Guinea to New Minglewood: Notes Towards An Aesthetic Theory of the Grateful Dead.\u201d<\/p>\n<p>Stanley Spector, \u201c\u2018Statements Just Seem Vain At Last\u2019: The Grateful Dead and Nietzsche\u2019s Critique of Philosophy.\u201d<\/p>\n<p>James A. Tuedio, \u201c\u2018Words Half Spoken and Thoughts Unclear:\u2019 Synchronicity, Ambiguity, and Exposure to Excess in the Transvaluative Dynamic of Grateful Dead Music.\u201d<\/p>\n<p>Steve Waksman, \u201cThe Aesthetics of Electricity.\u201d<\/p>\n<p>Brent Wood, \u201cThe Role of Words in the Grateful Dead Ritual Concert Experience.\u201d<\/p>\n<h4>Roundtables<\/h4>\n<p>\u201cConceived of Great Spirit: The Grateful Dead Meet Rolling Thunder.\u201d Stanley Krippner, moderator. Sidian Morning Star, panelist.<\/p>\n<p>\u201cSearchin\u2019 for the Sound: Engineering the Dead.\u201d Dan Healy, moderator. Bob Bralove, panelist.<\/p>\n<p>\u201c\u2018Some Say Men But I Say No:\u2019 Gender and the Counterculture.\u201d Laura Lovett, moderator. Rachel Gallop, Carolyn Adams Garcia, panelists.<\/p>\n<p>\u201cThe Storyteller Speaks: Remembrances From Thirty Years on Tour.\u201d Dennis McNally, moderator. Carolyn Adams Garcia, Bill Walton, panelists.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Unbroken Chain: The Grateful Dead in Music, Culture, and Memory. University of Massachusetts-Amherst, November 16\u201318, 2007. Director: Michael Grabscheid. Program Co-Director: Nicholas G. Meriwether. Sponsored by&nbsp;the University of Massachusetts\u2013Amherst, this symposium brought together members of the Grateful Dead&#8217;s staff and family with scholars, students, and fans for the first academic conference on the Grateful Dead &hellip; <a href=\"https:\/\/deadstudies.org\/?page_id=735\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Unbroken Chain: The First Grateful Dead Conference (2007)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"class_list":["post-735","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PalnEn-bR","_links":{"self":[{"href":"https:\/\/deadstudies.org\/index.php?rest_route=\/wp\/v2\/pages\/735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deadstudies.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/deadstudies.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/deadstudies.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deadstudies.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=735"}],"version-history":[{"count":18,"href":"https:\/\/deadstudies.org\/index.php?rest_route=\/wp\/v2\/pages\/735\/revisions"}],"predecessor-version":[{"id":1263,"href":"https:\/\/deadstudies.org\/index.php?rest_route=\/wp\/v2\/pages\/735\/revisions\/1263"}],"wp:attachment":[{"href":"https:\/\/deadstudies.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=735"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deadstudies.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}